Worldbeat | |
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Stylistic origins | World music Traditional music roots music Pop rock Indie rock |
Cultural origins | Mid 1980s, United States, United Kingdom |
Typical instruments | Widely variable, though drums or percussion are constant |
Mainstream popularity | Occasional, though not generally sustained |
Subgenres | |
Afrobeat | |
Fusion genres | |
Afro-Cuban jazz - Afro-juju - Bhangragga - Biguine moderne - Burger highlife - Calypso-style baila - Campursari - Canto livre - Canto nuevo - Chicha - Chutney-bhangra - Chutney-hip hop - Fuji - Hip life - Lambada - Latin jazz - Merenrap - Mor lam sing - Nueva cancion - Punta rock - Rai pop - Rapso - Reggae highlife - Salsa - Sevillana - Slack-key - Songo - Zam-rock - Zouk - Bouyon | |
Other topics | |
World music - folk music |
Noise Khanyile & the Jo'burg City Stars was a Johannesburg, South Africa based ensemble produced by Lloyd Ross and released by Shifty Records. Noise has been critically acclaimed by scholars such as East African Standard musicologist John Storm Roberts.[1] They exhibit a sophisticated multiply layered tapestry of Zulu inspired sound on his 1989 release Art of Noise.[2] For instance, in the web-published track "Groovin' Jive No. 1"[3] combining hand clap, drums, creative percussion with horn, harmonized vocals, special effects and fiddle in a distinctively contemporary sound. Baba Wami (Tribute Song)[4] draws more explicitly upon tradition[5] The performances have been critically distinguished between traditional (Zulu) music and a style referred to a "township jive" or simply as "jive".[6] His music, although rooted in folk tradition, is nevertheless described by some critics as "violin" rather than "fiddle".[6] This music is often played in shebeens, an alternative to the pubs which had been closed to blacks under apartheid but which some assert are experiencing a renaissance as a form of cultural resurgence.[7] album now available as a download at: http://noisekhanyile.bandcamp.com/
Mbaqanga | |
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Stylistic origins | Marabi Kwela |
Cultural origins | Early 1960s |
Mainstream popularity | Mainly in South Africa |